{"id":69,"date":"2019-10-29T17:51:59","date_gmt":"2019-10-29T17:51:59","guid":{"rendered":"https:\/\/myoshinjuku.org\/?page_id=69"},"modified":"2026-09-18T10:54:30","modified_gmt":"2026-09-18T09:54:30","slug":"terminology","status":"publish","type":"page","link":"https:\/\/myoshinjuku.org\/index.php\/terminology\/","title":{"rendered":"Terminology"},"content":{"rendered":"\n
Japanese<\/strong><\/td>English<\/strong><\/td><\/tr>
     Ai<\/td>Harmony<\/td><\/tr>
     Ai Hanmi<\/td>Same\n or Matched Stance<\/td><\/tr>
     Aiki<\/td>Blended\n or Matched Ki<\/td><\/tr>
     Aiki Jo<\/td>Staff\n or Stick used in Aikido<\/td><\/tr>
     Aiki Ken<\/td>Sword\n used in Aikido<\/td><\/tr>
     Aiki Nage<\/td>Aiki\n throw<\/td><\/tr>
     Aiki Otoshi<\/td>Aiki\n drop<\/td><\/tr>
     Aiki Taiso<\/td>Aiki\n Exercises<\/td><\/tr>
     Aite<\/td>Partner\n or Opponent<\/td><\/tr>
     Ashi<\/td>Foot<\/td><\/tr>
     Ashi Sabaki<\/td>Footwork<\/td><\/tr>
     Atemi<\/td>Strike\n or Blow<\/td><\/tr>
     Awase<\/td>Blending\n Movement<\/td><\/tr>
     Ayumi Ashi<\/td>Walking<\/td><\/tr>
     Batto<\/td>Sword\n Drawing<\/td><\/tr>
     Bo<\/td>Stick\n larger than a Jo<\/td><\/tr>
     Bojutsu<\/td>Stick\n Techniques<\/td><\/tr>
     Bokken<\/td>Wooden\n Sword<\/td><\/tr>
     Bokuto<\/td>Wooden\n Sword (see Bokken)<\/td><\/tr>
     Budo<\/td>Martial\n Way<\/td><\/tr>
     Budoka<\/td>Martial\n Artist<\/td><\/tr>
     Bujutsu<\/td>Martial\n Technique<\/td><\/tr>
     Bukidori<\/td>Against\n arms<\/td><\/tr>
     Bukiwaza<\/td>Weapons\n Techniques<\/td><\/tr>
     Chikara No Dashikata<\/td>The\n extension of power<\/td><\/tr>
     Chudan Kamae<\/td>Middle\n Stance<\/td><\/tr>
     Dakishime<\/td>Hug<\/td><\/tr>
     Dame<\/td>Wrong,\n Bad, Incorrect<\/td><\/tr>
     Do<\/td>Way,\n Path<\/td><\/tr>
     Dogi<\/td>Training\n Uniform (Gi, Keikogi)<\/td><\/tr>
     Dojo<\/td>Training\n Hall<\/td><\/tr>
\u00a0\u00a0\u00a0\u00a0 Domo Arigato
Gozaimashita<\/td>		Thank\n you for teaching me<\/td><\/tr>
     Doshu<\/td>Leader\n of the Way<\/td><\/tr>
     Eri<\/td>Collar,\n Lapel<\/td><\/tr>
     Eri Dori<\/td>Collar\n or Lapel grab<\/td><\/tr>
     Fuku Shidoin<\/td>Assistant\n Instructor<\/td><\/tr>
     Futaridori<\/td>Attack\n by two opponents<\/td><\/tr>
     Futarigake<\/td>Attack\n by two opponents<\/td><\/tr>
     Gedan<\/td>Lower<\/td><\/tr>
     Gi<\/td>Training\n Uniform, Keikogi, Dogi<\/td><\/tr>
     Go no keiko<\/td>Practice\n hard<\/td><\/tr>
     Gokyo<\/td>Fifth\n Principle, Ude Nobashi<\/td><\/tr>
     Gyaku<\/td>Reverse,\n Opposite<\/td><\/tr>
     Gyaku Hanmi<\/td>Reverse\n or Opposite Stance<\/td><\/tr>
     Haishin Undo<\/td>After\n practice back bending exercise<\/td><\/tr>
     Hakama<\/td>Pleated\n Skirt<\/td><\/tr>
     Hanmi<\/td>Stance\n (also Kamae)<\/td><\/tr>
     Hanmi Handachi<\/td>One\n Standing, One Sitting<\/td><\/tr>
     Hara<\/td>Stomach,\n Abdomen<\/td><\/tr>
     Henka Waza<\/td>Variation\n Technique<\/td><\/tr>
     Hidari<\/td>Left<\/td><\/tr>
     Hito E Mi<\/td>Stance\n (Oblique Hanmi)<\/td><\/tr>
     Ho<\/td>Exercise,\n method<\/td><\/tr>
     Ikkyo<\/td>First\n Principle, Ude Osae<\/td><\/tr>
     Ippan Geiko<\/td>General\n Training<\/td><\/tr>
     Irimi<\/td>Entering\n Movement<\/td><\/tr>
     Irimi Nage<\/td>Entering\n Throw<\/td><\/tr>
     Jo<\/td>Staff\n or Stick<\/td><\/tr>
     Jo dori<\/td>Disarming\n an opponent armed with a Jo<\/td><\/tr>
     Jo tori<\/td>Disarming\n an opponent armed with a Jo<\/td><\/tr>
     Jodan<\/td>Upper\n Position<\/td><\/tr>
     Jodan No Kamae<\/td>Upper\n Stance with Sword<\/td><\/tr>
     Jodo<\/td>Art\n of the Jo<\/td><\/tr>
     Ju no keiko<\/td>Practice\n softly<\/td><\/tr>
     Ju No Ri<\/td>Principle\n of Gentleness<\/td><\/tr>
     Juji Garami<\/td>Cross\n entangling method<\/td><\/tr>
     Juji Nage<\/td>See\n Juji Garami<\/td><\/tr>
     Jumbi Taiso<\/td>Warm\n Up Exercises<\/td><\/tr>
     Jyugeuko<\/td>Free\n practice<\/td><\/tr>
     Jyugi<\/td>Free\n attack and defence<\/td><\/tr>
     Jyuwaza<\/td>Free\n attack and defence<\/td><\/tr>
     Kaiso<\/td>Morihei\n Ueshiba, the founder<\/td><\/tr>
     Kaiten Ashi<\/td>Forward\n step pivot<\/td><\/tr>
     Kaiten Nage<\/td>Rotary\n Throw<\/td><\/tr>
     Kamae<\/td>Postures\n for combat<\/td><\/tr>
     Kansetsu<\/td>Joint<\/td><\/tr>
     Kansetsu Waza<\/td>Joint\n Technique<\/td><\/tr>
     Kata (1)<\/td>Form<\/td><\/tr>
     Kata (2)<\/td>Shoulder<\/td><\/tr>
     Katadori<\/td>Shoulder\n Grab<\/td><\/tr>
     Katame Waza<\/td>Immobilisation\n Technique<\/td><\/tr>
     Katana<\/td>Steel\n Sword<\/td><\/tr>
     Katate<\/td>One\n Hand<\/td><\/tr>
     Katatedori<\/td>One\n hand grab<\/td><\/tr>
     Katatori<\/td>Shoulder\n grab (katadori)<\/td><\/tr>
     Keiko<\/td>Practice,\n Training<\/td><\/tr>
     Keikogi<\/td>Training\n Uniform (Gi, Dogi)<\/td><\/tr>
     Kekka fusi<\/td>Sitting\n position<\/td><\/tr>
     Ken dori<\/td>Against\n sword<\/td><\/tr>
     Ki<\/td>Spirit<\/td><\/tr>
     Ki No Musubi<\/td>Joining\n together of Ki<\/td><\/tr>
     Ki No Nagare<\/td>The\n flow of Ki<\/td><\/tr>
     Kiai<\/td>Combative\n shout<\/td><\/tr>
     Kiritsu<\/td>Standing\/stand<\/td><\/tr>
     Kisshomaru Ueshiba<\/td>Doshu,\n son of O Sensei<\/td><\/tr>
     Kogeki<\/td>Attack<\/td><\/tr>
     Koho tento<\/td>Falling\n backward<\/td><\/tr>
     Kokoro<\/td>Spirit,\n Heart<\/td><\/tr>
     Kokyu<\/td>Breath<\/td><\/tr>
     Kokyu ho<\/td>Breathing\n Method<\/td><\/tr>
     Kokyu Nage<\/td>Breath\n Throw<\/td><\/tr>
     Kokyu No Henka<\/td>Breath\n changes<\/td><\/tr>
     Kokyu Ryoku<\/td>Breath\n Power (Kokyu)<\/td><\/tr>
     Kokyu Tenkan Ho<\/td>Breath\n turning<\/td><\/tr>
     Koshi Nage<\/td>Hip\n Throw<\/td><\/tr>
     Kote Gaeshi<\/td>Wrist\n Out Turn or Twist<\/td><\/tr>
     Kote Hineri<\/td>Wrist\n twist, Sankyo<\/td><\/tr>
     Kote Mawashi<\/td>Wrist\n In Turn, Nikyo<\/td><\/tr>
     Kubi<\/td>Neck<\/td><\/tr>
     Kubi shime<\/td>Choke,\n strangle<\/td><\/tr>
     Kyu<\/td>Class,\n Grade below Shodan<\/td><\/tr>
     Kyudo<\/td>Art\n of Japanese Archery<\/td><\/tr>
     Mawatte<\/td>Turn<\/td><\/tr>
     Ma-ai<\/td>Distance\n between two opponents<\/td><\/tr>
     Men<\/td>Head<\/td><\/tr>
     Menuchi<\/td>Head\n Strike<\/td><\/tr>
     Metsuke<\/td>Eye\n to Eye contact<\/td><\/tr>
     Migi<\/td>Right<\/td><\/tr>
     Mochi<\/td>Hold,\n Grasp<\/td><\/tr>
     Morihei Ueshiba<\/td>O\n Sensei, the fouder of Aikido<\/td><\/tr>
     Moriteru Ueshiba<\/td>Second\n son of Doshu, Waka Sensei<\/td><\/tr>
     Morotedori<\/td>Two\n Hand Grab<\/td><\/tr>
     Munedori<\/td>Chest\n Hold<\/td><\/tr>
     Nage<\/td>Throw<\/td><\/tr>
     Neko ashi dachi<\/td>Cat\n stance<\/td><\/tr>
     Nikyo<\/td>Second\n Principle, Kote Mawashi<\/td><\/tr>
     Nori<\/td>Attention\n stand<\/td><\/tr>
     Omote<\/td>Front<\/td><\/tr>
     Onegaishimas<\/td>Please\n Teach Me<\/td><\/tr>
     Oyowaza<\/td>Applied\n Techniques<\/td><\/tr>
     O-Sensei<\/td>Great\n Teacher, The Founder<\/td><\/tr>
     Randori<\/td>Free\n Style Practice<\/td><\/tr>
     Rei<\/td>Bow<\/td><\/tr>
     Renoji dachi<\/td>Stance\n “l”<\/td><\/tr>
     Renshu<\/td>Practice,\n Training<\/td><\/tr>
     Renzoku<\/td>Continuous<\/td><\/tr>
     Ritsurei<\/td>Standing\n Bow<\/td><\/tr>
     Rokkyo<\/td>Sixth\n Principle, Ude Hishigi<\/td><\/tr>
     Ryokatadori<\/td>Two\n Shoulder Grab<\/td><\/tr>
     Ryotedori<\/td>Two\n Hand Grab<\/td><\/tr>
     Ryu<\/td>Style,\n School<\/td><\/tr>
     Ryu no keiko<\/td>Practice\n very soft<\/td><\/tr>
     Sabaki<\/td>Movement<\/td><\/tr>
     Sakuko Ueshiba<\/td>Wife\n of Kisshomaru Ueshiba, Doshu<\/td><\/tr>
     Sankaku<\/td>Triangle<\/td><\/tr>
     Sankyo<\/td>Third\n Principle, Kote Hineri<\/td><\/tr>
     Sannindori<\/td>Attack\n by three opponents<\/td><\/tr>
     Sanningake<\/td>Attack\n by three opponents<\/td><\/tr>
     Seiza<\/td>Seated\n Position<\/td><\/tr>
     Sensei<\/td>Teacher<\/td><\/tr>
     Shidoin<\/td>Instructor<\/td><\/tr>
     Shihan<\/td>Master\n Instructor<\/td><\/tr>
     Shiho Nage<\/td>Four\n Corner Throw<\/td><\/tr>
     Shikko<\/td>Knee\n Walking<\/td><\/tr>
     Shisei<\/td>Posture<\/td><\/tr>
     Sho Men Uchi<\/td>Front\n Head Strike<\/td><\/tr>
     Shumatsu Dosa<\/td>After\n practice back bending exercise<\/td><\/tr>
     Sode<\/td>Sleeve<\/td><\/tr>
     Sodedori<\/td>Sleeve\n Grab<\/td><\/tr>
     Sotai Dosa<\/td>Paired\n exercise<\/td><\/tr>
     Soto<\/td>Outside<\/td><\/tr>
     Suburi<\/td>Exercise\n for Jo & Bokken<\/td><\/tr>
     Sumi<\/td>Corner<\/td><\/tr>
     Sumi Otoshi<\/td>Corner\n Drop<\/td><\/tr>
     Suwariwaza<\/td>Seated\n techniques<\/td><\/tr>
     Tachi<\/td>Standing<\/td><\/tr>
     Tachidori<\/td>Sword\n Taking<\/td><\/tr>
     Tachiwaza<\/td>Standing\n Techniques<\/td><\/tr>
     Tai<\/td>Body<\/td><\/tr>
     Tai No Henka<\/td>Body\n Change or Shift<\/td><\/tr>
     Tai Sabaki<\/td>Body\n Turning Movement<\/td><\/tr>
     Taijutsu<\/td>Body\n Techniques (Unarmed)<\/td><\/tr>
     Tanden<\/td>Centre\n of stomach, slightly be<\/td><\/tr>
     Tandoku Dosa<\/td>Solo\n exercises<\/td><\/tr>
     Tandoku keiko<\/td>Practice\n by oneself<\/td><\/tr>
     Taninzudori<\/td>Attack\n by many opponents<\/td><\/tr>
     Taninzugake<\/td>Attack\n by many opponents<\/td><\/tr>
     Tanken<\/td>Short\n Sword or Knife<\/td><\/tr>
     Tanken dori<\/td>Against\n knife<\/td><\/tr>
     Tanto<\/td>Short\n Sword<\/td><\/tr>
     Tatami<\/td>Straw\n Mat made from Bamboo<\/td><\/tr>
     Te<\/td>Hand<\/td><\/tr>
     Te Sabaki<\/td>Hand\n Movement<\/td><\/tr>
     Tegatana<\/td>Hand\n Blade<\/td><\/tr>
     Teiji dachi<\/td>Stance\n “t”<\/td><\/tr>
     Tekubi<\/td>Wrist<\/td><\/tr>
\u00a0\u00a0\u00a0\u00a0 Tekubi Kansetsu Junan Ho<\/td>Wrist\n flexability exercises<\/td><\/tr>
     Tekubi Osae<\/td>Wrist\n pin, Yonkyo<\/td><\/tr>
     Tekubi Shindo<\/td>Wrist\n shaking hands held horizontally<\/td><\/tr>
     Tenchi Nage<\/td>Heaven\n and Earth Throw<\/td><\/tr>
     Tenkai Ashi<\/td>Pivot<\/td><\/tr>
     Tenkan<\/td>Turn<\/td><\/tr>
     Tori<\/td>Person\n Executing a technique<\/td><\/tr>
     Tsugi Ashi<\/td>Following\n Steps, shuffle step<\/td><\/tr>
     Tsuki<\/td>Punch<\/td><\/tr>
     Uchi<\/td>Strike<\/td><\/tr>
     Uchideshi<\/td>Live-In\n Student<\/td><\/tr>
     Ude<\/td>Arm<\/td><\/tr>
     Ude Hishigi<\/td>Arm\n smashing, Rokkyo<\/td><\/tr>
     Ude Nobashi<\/td>Arm\n stretch, Gokyo<\/td><\/tr>
     Uke<\/td>One\n Who receives<\/td><\/tr>
     Ukemi<\/td>Breakfall<\/td><\/tr>
     Ura<\/td>Back<\/td><\/tr>
     Ushiro<\/td>Rear,\n Behind<\/td><\/tr>
     Waza<\/td>Technique<\/td><\/tr>
     Yame<\/td>Stop,\n finish or end<\/td><\/tr>
     Yoko<\/td>Side<\/td><\/tr>
     Yokomen<\/td>Side\n of the Head<\/td><\/tr>
     Yokomenuchi<\/td>Strike\n to the side of the head<\/td><\/tr>
     Yonkyo<\/td>Fourth\n Principle, Tekubi Osae<\/td><\/tr>
     Yoroku Ueshiba<\/td>O\n Sensei’s father<\/td><\/tr>
     Yudansha<\/td>Black\n Belt Student<\/td><\/tr>
     Yuki Ueshiba<\/td>Mother\n of O Sensei<\/td><\/tr>
     Za Ho<\/td>Sitting\n method<\/td><\/tr>
     Zanshin<\/td>Awareness,\n Lingering Spirit<\/td><\/tr>
     Zarei<\/td>Formal\n Sitting Bow<\/td><\/tr><\/tbody><\/table>\n\n\n\n

Jednym z atut\u00f3w coolzino casino<\/a> jest sprawne po\u0142\u0105czenie klasycznego klimatu kasyna z cyfrowymi mo\u017cliwo\u015bciami. Typograficzne wykonanie zapewnia dobr\u0105 czytelno\u015b\u0107 r\u00f3wnie\u017c przy mniejszych ilo\u015bciach tekstu. Generatory liczb losowych s\u0105 regularnie certyfikowane przez niezale\u017cne instytucje, takie jak eCOGRA. Platforma rezygnuje w wi\u0119kszo\u015bci metod p\u0142atno\u015bci z pobierania dodatkowych op\u0142at. Serwis klienta u\u017cywa wewn\u0119trznego systemu zg\u0142osze\u0144, dzi\u0119ki czemu wszystkie sprawy s\u0105 bezluko udokumentowane. G\u0142\u00f3wne akcje og\u0142aszane s\u0105 z wyprzedzeniem przez newsletter, aby zainteresowani mogli si\u0119 przygotowa\u0107. Nawet starsze urz\u0105dzenia mog\u0105 by\u0107 u\u017cywane bez problem\u00f3w dzi\u0119ki zoptymalizowanym technologiom sieciowym. S\u0142owniki i wiki wyja\u015bniaj\u0105 terminy fachowe dotycz\u0105ce hazardu online. Wieloj\u0119zyczni krupierzy zapewniaj\u0105, \u017ce r\u00f3wnie\u017c polskoj\u0119zyczni gracze s\u0105 dobrze obs\u0142ugiwani. Zaanga\u017cowanie operator\u00f3w odzwierciedla si\u0119 w wysokiej jako\u015bci wszystkich komponent\u00f3w.<\/p><\/div>\n\n\n\n

At roopokies casino<\/a>, different gaming worlds meet and combine into a coherent whole. Reload bonuses are activated on set weekdays and provide additional playing enjoyment. English-speaking support agents ensure that language barriers play no role at all. The minimum deposit often already starts at 10 units, so casual players can also easily get started. Mobile data usage is minimised through optimised graphics and compression. Multi-hand blackjack allows several hands to be played simultaneously. Personal player data is stored exclusively in encrypted form. The live roulette tables offer different minimum stakes, from a few cents to high VIP limits. A Hall of Champions honours the most successful players of the month. Visual cues help newcomers orient themselves quickly. Both visually and functionally, the casino belongs to the more mature addresses on the market.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Japanese English      Ai Harmony      Ai Hanmi Same or Matched Stance      Aiki Blended or Matched Ki      Aiki Jo Staff or Stick used in Aikido      Aiki Ken Sword used in Aikido      Aiki Nage Aiki throw      Aiki Otoshi Aiki drop      Aiki Taiso Aiki Exercises      Aite Partner or Opponent      Ashi Foot      Ashi Sabaki Footwork      Atemi Strike or Blow      Awase Blending Movement      Ayumi Ashi Walking      Batto Sword Drawing      Bo Stick larger than a Jo      Bojutsu Stick Techniques      Bokken Wooden Sword      Bokuto Wooden Sword (see Bokken)      Budo Martial Way      Budoka Martial Artist      Bujutsu Martial Technique      Bukidori Against arms      Bukiwaza Weapons Techniques      Chikara No Dashikata The extension of power      Chudan Kamae Middle Stance      Dakishime Hug      Dame Wrong, Bad, Incorrect      Do Way, Path      Dogi Training Uniform (Gi, Keikogi)      Dojo Training Hall \u00a0\u00a0\u00a0\u00a0 Domo Arigato Gozaimashita Thank you for teaching me      Doshu Leader of the Way      Eri Collar, Lapel      Eri Dori Collar or Lapel grab      Fuku Shidoin Assistant Instructor      Futaridori Attack by two opponents      Futarigake Attack by two opponents      Gedan Lower      Gi Training Uniform, Keikogi, Dogi      Go no keiko Practice hard      Gokyo Fifth Principle, Ude Nobashi      Gyaku Reverse, Opposite      Gyaku Hanmi Reverse or Opposite Stance      Haishin Undo After practice back bending exercise      Hakama Pleated Skirt      Hanmi Stance (also Kamae)      Hanmi Handachi One Standing, One Sitting      Hara Stomach, Abdomen      Henka Waza Variation Technique      Hidari Left      Hito E Mi Stance (Oblique Hanmi)      Ho Exercise, method      Ikkyo First Principle, Ude Osae      Ippan Geiko General Training      Irimi Entering Movement      Irimi Nage Entering Throw      Jo Staff or Stick      Jo dori Disarming an opponent armed with a Jo      Jo tori Disarming an opponent armed with a Jo      Jodan Upper Position      Jodan No Kamae Upper Stance with Sword      Jodo Art of the Jo      Ju no keiko Practice softly      Ju No Ri Principle of Gentleness      Juji Garami Cross entangling method      Juji Nage See Juji Garami      Jumbi Taiso Warm Up Exercises      Jyugeuko Free practice      Jyugi Free attack and defence      Jyuwaza Free attack and defence      Kaiso Morihei Ueshiba, the founder      Kaiten Ashi Forward step pivot      Kaiten Nage Rotary Throw      Kamae Postures for combat      Kansetsu Joint      Kansetsu Waza Joint Technique      Kata (1) Form      Kata (2) Shoulder      Katadori Shoulder Grab      Katame Waza Immobilisation Technique      Katana Steel Sword      Katate One Hand      Katatedori One hand grab      Katatori Shoulder grab (katadori)      Keiko Practice, Training      Keikogi Training Uniform (Gi, Dogi)      Kekka fusi Sitting position      Ken dori Against sword      Ki Spirit      Ki No Musubi Joining together of Ki      Ki No Nagare The flow of Ki      Kiai Combative shout      Kiritsu Standing\/stand      Kisshomaru Ueshiba Doshu, son of O Sensei      Kogeki Attack      Koho tento Falling backward      Kokoro Spirit, Heart      Kokyu Breath      Kokyu ho Breathing Method      Kokyu Nage Breath Throw      Kokyu No Henka Breath changes      Kokyu Ryoku Breath Power (Kokyu)      Kokyu Tenkan Ho Breath turning      Koshi Nage Hip Throw      Kote Gaeshi Wrist Out Turn or Twist      Kote Hineri Wrist twist, Sankyo      Kote Mawashi Wrist In Turn, Nikyo      Kubi Neck      Kubi shime Choke, strangle      Kyu Class, Grade below Shodan      Kyudo Art of Japanese Archery      Mawatte Turn      Ma-ai Distance between two opponents      Men Head      Menuchi Head Strike      Metsuke Eye to Eye contact      Migi Right      Mochi Hold, Grasp      Morihei Ueshiba O Sensei, the fouder of Aikido      Moriteru Ueshiba Second son of Doshu, Waka Sensei      Morotedori Two Hand Grab      Munedori Chest Hold      Nage Throw      Neko ashi dachi Cat stance      Nikyo Second Principle, Kote Mawashi      Nori Attention stand      Omote Front      Onegaishimas Please Teach Me      Oyowaza Applied Techniques      O-Sensei Great Teacher, The Founder      Randori Free Style Practice      Rei Bow      Renoji dachi Stance “l”      Renshu Practice, Training      Renzoku Continuous      Ritsurei Standing Bow      Rokkyo Sixth Principle, Ude Hishigi      Ryokatadori Two Shoulder Grab      Ryotedori Two Hand Grab      Ryu Style, School      Ryu no keiko Practice very soft      Sabaki Movement      Sakuko Ueshiba Wife of Kisshomaru Ueshiba, Doshu      Sankaku Triangle      Sankyo Third Principle, Kote Hineri      Sannindori Attack by three opponents      Sanningake Attack by three opponents      Seiza Seated Position      Sensei Teacher      Shidoin Instructor      Shihan Master Instructor      Shiho Nage Four Corner Throw      Shikko Knee Walking      Shisei Posture      Sho Men Uchi Front Head Strike      Shumatsu Dosa After practice back bending exercise      Sode Sleeve      Sodedori Sleeve Grab      Sotai Dosa Paired exercise      Soto Outside      Suburi Exercise for Jo & Bokken      Sumi Corner      Sumi Otoshi Corner Drop      Suwariwaza Seated techniques      Tachi Standing      Tachidori Sword Taking      Tachiwaza Standing Techniques      Tai Body      Tai No Henka Body Change or Shift      Tai Sabaki Body Turning Movement      Taijutsu Body Techniques (Unarmed)      Tanden Centre of stomach, slightly be      Tandoku Dosa Solo exercises      Tandoku keiko Practice by oneself      Taninzudori Attack by many opponents      Taninzugake Attack by many opponents      Tanken Short Sword or Knife      Tanken dori Against knife      Tanto Short Sword      Tatami Straw Mat made from Bamboo      Te Hand      Te Sabaki Hand Movement      Tegatana Hand Blade      Teiji dachi Stance “t”      Tekubi Wrist \u00a0\u00a0\u00a0\u00a0 Tekubi Kansetsu Junan Ho Wrist flexability exercises      Tekubi Osae Wrist pin, Yonkyo      Tekubi Shindo Wrist shaking hands held horizontally      Tenchi Nage Heaven and Earth Throw      Tenkai Ashi Pivot      Tenkan Turn      Tori Person Executing a technique      Tsugi Ashi Following Steps, shuffle step      Tsuki Punch      Uchi Strike      Uchideshi Live-In Student      Ude Arm      Ude Hishigi Arm smashing, Rokkyo      Ude Nobashi Arm stretch, Gokyo      Uke One Who receives      Ukemi Breakfall      Ura Back      Ushiro Rear, Behind      Waza Technique      Yame Stop, finish or end      Yoko Side      Yokomen Side of the Head      Yokomenuchi Strike to the side of the head      Yonkyo Fourth Principle, Tekubi Osae      Yoroku Ueshiba O Sensei’s father      Yudansha Black Belt Student      Yuki Ueshiba Mother of O Sensei      Za Ho Sitting method      Zanshin Awareness, Lingering Spirit      Zarei Formal Sitting Bow Jednym z atut\u00f3w coolzino casino jest sprawne po\u0142\u0105czenie klasycznego klimatu kasyna z cyfrowymi mo\u017cliwo\u015bciami. Typograficzne wykonanie zapewnia dobr\u0105 czytelno\u015b\u0107 r\u00f3wnie\u017c przy mniejszych ilo\u015bciach tekstu. Generatory liczb losowych s\u0105 regularnie certyfikowane przez niezale\u017cne instytucje, takie jak eCOGRA. Platforma rezygnuje w wi\u0119kszo\u015bci metod p\u0142atno\u015bci z pobierania dodatkowych op\u0142at. Serwis klienta u\u017cywa wewn\u0119trznego systemu zg\u0142osze\u0144, dzi\u0119ki czemu wszystkie sprawy s\u0105 bezluko udokumentowane. G\u0142\u00f3wne akcje og\u0142aszane s\u0105 z wyprzedzeniem przez newsletter, aby zainteresowani mogli si\u0119 przygotowa\u0107. Nawet starsze urz\u0105dzenia mog\u0105 by\u0107 u\u017cywane bez problem\u00f3w dzi\u0119ki zoptymalizowanym technologiom sieciowym. S\u0142owniki i wiki wyja\u015bniaj\u0105 terminy fachowe dotycz\u0105ce hazardu online. Wieloj\u0119zyczni krupierzy zapewniaj\u0105, \u017ce r\u00f3wnie\u017c polskoj\u0119zyczni gracze s\u0105 dobrze obs\u0142ugiwani. Zaanga\u017cowanie operator\u00f3w odzwierciedla si\u0119 w wysokiej jako\u015bci wszystkich komponent\u00f3w. At roopokies casino, different gaming worlds meet and combine into a coherent whole. Reload bonuses are activated on set weekdays and provide additional playing enjoyment. English-speaking support agents ensure that language barriers play no role at all. The minimum deposit often already starts at 10 units, so casual players can also easily get started. Mobile data usage is minimised through optimised graphics and compression. Multi-hand blackjack allows several hands to be played simultaneously. Personal player data is stored exclusively in encrypted form. The live roulette tables offer different minimum stakes, from a few cents to high VIP limits. A Hall of Champions honours the most successful players of the month. Visual cues help newcomers orient themselves quickly. Both visually and functionally, the casino belongs to the more mature addresses on the market.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-69","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/myoshinjuku.org\/index.php\/wp-json\/wp\/v2\/pages\/69","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/myoshinjuku.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/myoshinjuku.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/myoshinjuku.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/myoshinjuku.org\/index.php\/wp-json\/wp\/v2\/comments?post=69"}],"version-history":[{"count":3,"href":"https:\/\/myoshinjuku.org\/index.php\/wp-json\/wp\/v2\/pages\/69\/revisions"}],"predecessor-version":[{"id":828,"href":"https:\/\/myoshinjuku.org\/index.php\/wp-json\/wp\/v2\/pages\/69\/revisions\/828"}],"wp:attachment":[{"href":"https:\/\/myoshinjuku.org\/index.php\/wp-json\/wp\/v2\/media?parent=69"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}